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Felix Hansen — Fine Art Photography

The Bay Bridge at sunset from Yerba Buena Island, the western span silhouetted against a sky of orange and deep pink. The bridge becomes a drawing at this hour - line and colour, with the city beyond.
The interior walkway of the Staten Island Ferry - a long orange-painted corridor receding in strong perspective toward a distant window. A daily commute that most people endure rather than observe.
Looking straight up through the roofless nave of Alt St. Alban, Gothic arches and cross-ribs frame the sky that once held the vault. The architecture is defined as much by what is gone as by what remains.
Roofless Geometry
Cologne Cathedral at night, its twin Gothic spires reflected in the Rhine. A long exposure renders the river as dark glass and the city lights as fine streaks along the bank - a view of the cathedral that only exists after midnight.
The Heart of Cologne
A contemporary facade cut diagonally against the night — warm, illuminated geometry on one side, deep black on the other. Structure reduced to rhythm, light, and the edge between them.
Edge of Light
A glacial lake in the Austrian Alps where sheer rock faces meet turquoise water with almost no shoreline between them. Shot in the brief window before afternoon winds arrive, the surface holds everything in perfect stillness.
Mountain Lake
The ancient ramparts of Saint-Malo trace a clean horizontal line between beach and sky. Shot at low tide, the walled city sits dense and composed above an expanse of empty sand - a view that rewards a large format.
Saint Malo
A Cologne parking structure becomes something else entirely when viewed from directly below. The concrete ramp spirals upward in concentric rings toward a single circle of open sky - geometry found inside a building most people drive through without ever looking at.
Parking Spiral